The Beatles FULL ALBUM TRACK SONG RAR/ZIP (DOWNLOAD) shadow boy. 1966 - Revolver (MFSL Remastered) (2008. DMFSL-1 100-109) DOWNLOAD FILE MUSIK. The Beatles - The Beatles (White Album) (50th Anniversary) Released: 2018 Genre: Rock, Pop Bitrate: FLAC 24bit 96khz 5.1 ch. & MP3 320 KBPS Tracklist. The Beatles - Revolver (2009) VA - Dream Forever (2016) The Beatles - Past Masters (2009) The Beatles - Magical Mystery Tour (2009) VA - Jukebox Favorieten 1958 (2018) The Beatles - Let It Be (2009) The Beatles - Help! (2009) The Beatles - Beatles For Sale (2009) Laura Lee Perkins - Don't Wait Up! (2012) The Beatles - Abbey Road (2009). Here is the link to both the Beatles in 24 Bit FLAC and mono for all of you who havent experienced them in this format. I know listening to them in these specific ways can be difficult to achieve, but i hope this helps someone out.
The Beatles - Revolver (Alternate) 6/29/17 EDIT. Four weeks after the release of the album, the Beatles would preform their last concert on August 29th.
6/29/17 EDIT:Often regarded as one of the greatest albums of all time, the release of Revolver on August 5th, 1966 helped usher in the emerging Psychedelic era to the general public. While the UK release of the album featured all 14 songs recorded for the record, the US release by Capitol saw the deletion of three tracks: 'I'm Only Sleeping', 'And Your Bird Can Sing', and 'Doctor Robert', as they had already appeared on the US album Yesterday and Today. As expected, the album topped both the US and UK charts shortly after its release. The album saw the group experimenting in several new studio techniques, such as tape loops, tape reversal, and varispeeding, best heard in the groundbreaking album-closer 'Tomorrow Never Knows'. Four weeks after the release of the album, the Beatles would preform their last concert on August 29th. Revolver is often cited as one of the group's all-time greatest records, placing at #3 on Rolling Stone's '500 Greatest Albums of All Time' list (behind only Pet Sounds and
Revolver Beatles Album Review
Sgt. Pepper's Lonely Hearts Club Band). My version of the album, as controversial as it could be, removes 'Yellow Submarine' and 'And Your Bird Can Sing', replacing them with 'Paperback Writer' and 'Rain'. I am somewhat fond of 'And Your Bird Can Sing', but I feel like the two other tracks fit in with the theme of the album a lot better than the two removed songs. Here, 'Paperback Writer' closes Side A, while 'Rain' opens up Side B. The majority of the tracks used are the 2009 stereo remasters, of course with a few exceptions. The versions of 'Eleanor Rigby' and 'Paperback Writer' used here are the latest 2015 stereo remixes found on the 1+ box set. ThatOneBeatlesManiac provides the fantastic stereo remix of 'I'm Only Sleeping', which includes guitar overdubs only found on the original US mono mix. I added a touch of heavy reverb at the ending chord of the track, it sounds pretty damn cool IMO! 'Rain' is heard here in a special remix made by myself. As the 2009 stereo remaster features the vocals to the hard left of the track, I took the isolated vocals track and synched it hard right, resulting in a doubled-tracked sound. It turned out pretty nicely now looking back at it! As always, I hope you enjoy, and stay tuned for my version of perhaps one of the most important albums of the 20th century..Side A:
1. Taxman (George Harrison)
2. Eleanor Rigby (Lennon & McCartney)
3. I'm Only Sleeping (Lennon & McCartney)
Beatles Revolver Album
4. Love You To (George Harrison)
5. Here, There and Everywhere (Lennon & McCartney)
6. She Said She Said (Lennon & McCartney)
7. Paperback Writer (Lennon & McCartney)
Side B:
1. Rain (Lennon & McCartney)
2. Good Day Sunshine (Lennon & McCartney)
3. For No One (Lennon & McCartney)
4. Doctor Robert (Lennon & McCartney)
5. I Want to Tell You (George Harrison)
6. Got to Get You into My Life (Lennon & McCartney)
7. Tomorrow Never Knows (Lennon & McCartney)
Enjoy!
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It Can't Get No Worse!
1 year agoThe Beatles Deluxe Collection (Free Download! Get it while it's hot!)
I've spent a few months on and off working on a 'Deluxe' version of each album. They are finally complete, and I'd love to share them with the world! These versions include:
Each album (of course)
Guild wars 2 artbook pdf. The single corresponding to each album
Beatles Revolver Album Rar
Everything from the Anthology trilogy
Let it Be.. Naked
LOVE Rome total war 2 troy mod download.
Live at the BBC volumes 1 + 2 (remastered edition)
Every christmas album
Sgt. Peppers Deluxe (2017)
Live at the Hollywood Bowl
Value Of Beatles Album Revolver
other popular takes and unreleased songs I found on the internet
There are 650 songs on this mega collection! Everything you would ever need is on here!
DISCLAIMER: This collection is made for itunes. Every file is still there without itunes, but it will be sorted into the correct discs and such when put into itunes. Basically, just put it into itunes for the best experience. Thank You!
Google Drive Link: https://drive.google.com/open?id=1jmk6V6ZfAax9VJfUSnO7lXuVihsB0alQ
Review by Bruce Eder
A funny thing happened to the Revolver album on its way to the U.S. marketplace in the spring and summer of 1966 -- it somehow managed to lose three songs, all written and featuring lead vocals by John Lennon. In its U.S. incarnation, Revolver was downright strange -- and unique. In some ways it's the perfect counterpoint to The Beatles' Second Album, another U.S.-only creation -- on that 1964 release, John Lennon dominated the lead vocals, while here, Paul McCartney owns five of the lead vocals (and six of the songs, as composer) on the U.S. album's 11 tracks, and George Harrison has three. Meanwhile, John Lennon's voice and songwriting have just two places on the album, thus making the U.S. version of Revolver the only Beatles album in creation in which George Harrison is featured more prominently as a singer and songwriter than John Lennon. (And that is not necessarily a complaint, but nevertheless it's an extraordinary detail for most Beatles fans that, had Capitol Records executives been thinking more clearly, might have been taken into account in mid-1966.) Thus, in raw math alone, the album is bizarre -- though mere numbers ignore the fact that the two Lennon songs that are here still come off as astounding, amazing pieces of music today, never mind how they seemed in 1966, and were placed for maximum impact, at the end of each side.
Revolver was, of course, planned by the Beatles and their producer, George Martin, as a 14-song LP, and was released that way in the U.K. and Europe in early August of 1966. But as was usually the case in those days, EMI's U.S. division, Capitol Records, had other ideas based on its own needs, and the record's shape in the U.S. involved decisions made months before Revolver's release. At that time, the company got early access to three of the songs from the upcoming LP, 'Doctor Robert,' 'And Your Bird Can Sing,' and 'I'm Only Sleeping,' all written by John Lennon. At the time, Capitol was sitting on a few 'orphaned' tracks, including freestanding singles ('Yesterday,' 'Nowhere Man,' 'Day Tripper') and B-sides, which had never been on a U.S. album, plus a handful of songs that had been pulled off of the modified and reconstructed Rubber Soul, and which had never been released in America. As there was this relatively long gap between Rubber Soul and Revolver, Capitol wanted to exploit those songs, which didn't quite add up to an album -- and they ended up throwing in the three Revolver tracks by Lennon and issuing the whole spliced-together mess in early June of 1966 as Yesterday...and Today.
With 'Doctor Robert,' 'And Your Bird Can Sing,' and 'I'm Only Sleeping' already used there, they were unavailable for Revolver in the U.S. when it was released in August, with the result that Americans got an 11-song LP that was still pretty amazing, if with a considerably different balance. Opening with Harrison's 'Taxman,' the record moves on to the ornate McCartney string-driven 'Eleanor Rigby' and, absent John Lennon's moody 'I'm Only Sleeping,' takes a turn to the East with Harrison's sitar- and tabla-based 'Love You To,' and then goes back to McCartney territory on the ballad 'Here, There and Everywhere' and the Ringo Starr-sung 'Yellow Submarine' (originated and mostly written by McCartney). And five songs in, Lennon finally gets a hearing on one of the two boldest songs on the record, 'She Said, She Said' -- which, strangely enough, is strong enough so that his profile isn't quite as badly compromised on the first side of the record as those song slots would lead one to expect.
Beatles Revolver Review
Side two brings listeners back to McCartney with 'Good Day Sunshine,' which here is not followed by Lennon's exuberant 'And Your Bird Can Sing' -- instead, it's more Paul on the exquisitely textured 'For No One' (which introduced a lot of young listeners to the sound of the French horn, courtesy of Alan Civil). Then, in place of the absent wry Lennon song à clef 'Doctor Robert' (all about a real-life London physician who was free with his prescriptions for pills), the album moves to Harrison's guitar showcase 'I Want to Tell You'; Paul gets another hearing on 'Got to Get You into My Life' ( which, along with 'Good Day Sunshine,' was one of the two 'lost' singles from the album); and, finally, John closes out the whole abbreviated long-player with 'Tomorrow Never Knows' -- and, as with the first side, the song is almost strong enough to have made up for some of Lennon's reduced presence elsewhere.
Beatles Revolver Rare Vinyl
When most Americans first heard Revolver in 1966, they were delighted with its nearly 28 minutes of music. In 1966, they weren't thinking of the Beatles' music as 'art' any more than Capitol Records was, and didn't realize it was supposed to be more like 35 minutes of music, with a rather distinctively wry and poetic compositional voice weaving in and out of the McCartney-generated pop. The 'missing' Lennon songs were already out there on Yesterday...and Today, so Americans only missed them in context and juxtaposition here, and this album missed some of their impact as personalized statements and trippy, punchy rock & roll (especially 'Doctor Robert' and 'And Your Bird Can Sing'). What was here was still a masterpiece (albeit a reduced one), and an odd curio from a time when the Beatles were getting much more serious about their music than their record label was prepared to be -- a factor that would change once the money started rolling in and the press clips building up from Sgt. Pepper's in the year that followed, and the bandmembers started to throw their weight around where it also counted a great deal, with the company's management as well as the studio engineers.
Title/Composer | Performer | Time | Stream |
---|---|---|---|
1 | 02:36 | ||
2 | John Lennon / Paul McCartney | 02:11 | |
3 | 03:00 | ||
4 | John Lennon / Paul McCartney | 02:25 | |
5 | 02:40 | ||
6 | John Lennon / Paul McCartney | 02:39 | |
7 | 02:08 | ||
8 | John Lennon / Paul McCartney | 02:03 | |
9 | 02:30 | ||
10 | John Lennon / Paul McCartney | 02:31 | |
11 | 03:00 |